نوع مقاله : مقاله پژوهشی
نویسنده
مدیر گروه حقوق مالکیت فکری دانشگاه قم
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Protection of performers, such as actors and those engaged in the performance of folkloric works, constitutes a relatively recent subject within both domestic and international legal frameworks. Although the 1961 Rome Convention and the 1996 WIPO Performances and Phonograms Treaty established provisions concerning the rights of these individuals, the protection for performers of audiovisual works has remained limited. In 2012 WIPO focused on the adoption of the Beijing Treaty on Audiovisual Performances. This treaty recognizes the exclusive economic rights of performers in both recorded and unrecorded performances, while simultaneously protecting the moral rights of performances and performers. In addition, by incorporating the principle of national treatment, the treaty guarantees that performers from different countries enjoy equivalent protection within all member states. The treaty permits contracting parties to incorporate into their national legislation a presumption of transfer of economic rights from the performer to the producer. By establishing obligations concerning technological protection measures and rights management information, the treaty provides a framework for securing performers’ rights in the digital environment. This article intends to employ a descriptive-analytical method to provide a detailed account of the treaty and highlight its innovations and distinctive contributions to the international protection of audiovisual performers.
کلیدواژهها [English]
